Van Van Gorder
Digital Imaging Photos

321 Island Dr. #1
Madison Wi 53705
608 238 6155

CVA Edwin VanGorder

London Drawing Room 2016 : Showcased in Digital Draw :6 ebooks, hard copy and 50 videos in my project Rebus: 3Dim x4

Drawing Research Network

double labyrinth by edwin vangorder

on the premises of an interrupted document

cyber drawing and photo field

edwin van gorder latest projects

1127 digital drawings volume 2

asteroid finished sizes drawing on the life of the virgin

drawing and the mirror of marco

nine notes on drawing by vangorder

janus jaguar mask of drawing


Video Art for Architectural Interiors

orphic m orphic archipuncture

tectonic plates in cyber urban environment

abroken field architectural patterns

neologism as architectural bracketing

labyrinth rubbings

fragments of the target

neo dada dust on the lab and light on the ramp

The Rhetoric of Push and Pull Rebus Drawings

Hypokomein on Journal

Drawing on the Transfer Ticket

Drawing Virtuality Paper and Prehistory

Rhebus Magus Journal

RhebusSites and Language Art of 1

Philosophical Sketchbook

VanGorder sVGs Shadow Journal Dwgs

Pattern Block

The Rhizome Challenge

VanGorders VanGorders 191

Brk Mortar Virtual Sketchbook

5oo Dwg sVVG

MOrphic Video Drawing Journal May June

MOrphic Arrows Cyber Drawing Journal

MOrphic Journal 3 June 2015


Philosophical Sketchbook

Pattern Block

The Rhizome Challenge

Cyber Drawing Anti Tableau

Morphologies Of Verbal Visual Space Collective

An Artists Conjectures And Simulcrae

Rhetoric Chords Threads Strings

Video Art for Architectural Interiors

that is degas ghost aghast deus ex

Deus Ex Machina 201506

particular synechdoche para erratum


and my facebook is

Vanvngorder Blogspot

edwin vangorder verbal visual space version 2 visual rhetoric and art ontology

vantext blogspot 111

Vanvngorder blogspot morphologies

vantext blogspot tear sheet

Google Plus album



Double Labyrinth

moca visual gallery


Double Labyrinth

Dry Humera Chimera Umbrella Aura Aurora Collapsible Abstraction

These Drawing forms are emblematic to an allegory of transparency between glass museum and bus stop (also glass) sharing video monitor view mounted to project cultural events. This topos becomes a collapsible abstraction as it were for continuing the momentum within my imagination to state my own drawing status of drawings and drawing videos in virtual space as project unfolds. (“Terministic” pertains to view of world through language, in this case the morpheme like prosody and rhythm of drawing as it arrives to the virtual realm in particular).

:Dry Humera Umbrella Chimera Aura Aurora Collapsible Abstraction As stated- this is a cyber drawing project linking the projected object status of an art object imagined through the topos of museum and bus stop sharing video mount projecting museum acitivty. The transferences do exist here as projected to a toposthesia complete to the Virtual realm of creating experience. The drawing as a sigla of the transparency of moment of reflection, through which the virtual realm contributes an alloissis of material associations is directed also, here, to a kind of dialogue between the similar transparencies of Michelangelo’s Capitoline Hill ( a fresco like projection of a ground pattern supporting a monument and buildings) and Bernini’s Balducino or open, (transparent)sculptural canopy within St Peters. The Drawing grid I use also is a personal golden section “modular” as it were, which looks like the St Peters plan by coincidence, and in the project is warped into all manner of rosacea by which to verbally associate Rhea or flux with ousis or being to complement the compound “Renaissance” and indeed-“ Rosacia….”

The project supports a fugue like mortise and tenon routing and routes of drawing forms through the multitudinous thematic transferences and problematics of this intertextual domain: to build on the generosity of the media construct. The simulacrae of form and content are not simultaneous, but mediated, and delayed, the proverbial “delay in glass” by which to note the transparency of the moment which is emblematic to what drawing finds and follows in space sculpturally even as constituting the building of its own experience.

Artists State

Drawing and Art Movement

Denominations of Sight and site

ancilla to Presocratic Appeiron as Motion Sensor Drawing

Arrow through the Labyrinth Artist’s State

Crater House and Sunken Garden Community

Krater to Crater

Cyber Drawing Anti –Tableau

cyber drawing skewed vectors of praxis and semiotics

Dada non Dada Morphemes and Marks

Ghosts aghast Deus ex Machinae

Drawing and Art Movement Mirror Palette and Cracked Stripe

Dry Humera Umbrella Chimera and Collapsible Abstraction

Epilogon Structure of this Journal

Fabulae Palimpsest of Drawing

Finnegans V

Fragments and Not Fragments

Fresco of the Argument of the Fragment

Fugue State Quark of Fate

Goeitia Down

Hungry Snails and Sandstorms at Sea

Loaded Words Exploded Images

Milesian Simile

M-Orphic Media Motion Sensor

Morphological Arrows

Motion Sensor Drawing

Neo Neon Motion Sensor Drawing

Notes Per Against Affective Formalism

Pattern Block

Rubbings of a Labyrinth

Salamander Séance

Shell Game


Spin Since Oath of the Tennis Court

Strabismus Decoy

Targetting Senses of Sight

Throwing the Target at the Arrow

Tilted Icon Text Tonics

Tres Riches Heures Heuristic Rose

Understatement Press

Up Along the Way Diazhome

When is a gif not a gif

Virtually Revising Brancusi White Works

Rhizome M->Orphic Arrow

June MOrphic Journal vol 31


August MOrphic Journal

MOrphic Arrows Cyber Drawing Journal 1 201505

June MOrphic Journal vol 31

MOrphic Video Drawing Journal May June

MOrphic Arrows Cyber Drawing Journal

MOrphic Journal 3 June 2015


MOrphic Arrows Cyber Drawing Journal 2015 05


July Vol 2 MOrphic Journal

M Orphic Journal Vol 3 July 20015